Photographing the Blue Hour

"Out of the Blue", Rovinj, Croatia

“Out of the Blue”, Rovinj, Croatia

You really feel like a rock star photographer when you learn the “Blue Hour” technique of photography. It is not very difficult but these few details will get you on your way.

-The optimum time to get the great balance of artificial and ambient light is between 30 and 45 minutes before sunrise and after sunset.

-A tripod is essential.

-Look for scenes that have some kind of artificial light(warm) to balance and compliment the blue ambient light of the sky. During the day when you are out exploring, train yourself to look for interesting blue hour compositions and look for the artificial light sources that will illuminate the scene at night. Many tourist attractions are illuminated at night. In the situation above, I was standing on the beach in Monterosso, Italy with a street just behind and above me. The street lights were illuminating the foreground surf and rocks.

"Field of Miracles", Pisa, Italy

“Field of Miracles”, Pisa, Italy

-Avoid strong, large, and direct light sources pointing towards your camera. You can have them behind you, to the side, above or below you in front of the camera as long as the light is pointing toward your subject and not into your lens.

"Santa Maria della Salute Blue", Venice, Italy

“Santa Maria della Salute Blue”, Venice, Italy

-Small direct light sources pointing toward your camera can be great, especially if you stop your lens down to f16 to create a starburst effect. Check your captured images on your LCD to make sure you are not getting unsightly flare from the direct light sources. You can clone out some flare in post processing. The further away those direct light sources are the more starburst effect you will get and less flare and blasted out blobs of light.

"Burano Lollipop", Burano, Italy

“Burano Lollipop”, Burano, Italy

The above photograph taken in Rovinj, Croatia had the light source directly in front and below my camera shinning on the tree.

-Use a cable/shutter release.

-Avoid underexposing as you will have a lot of noise in your dark shadows. Bring your exposure up so that your highlights are not washed out. Don’t worry about the direct light source(street lamps, etc) as those will always be washed out unless you do a separate exposure for them and blend them into the scene in Photoshop. That is a whole different topic, Exposure Blending.

The photograph below taken at Manarola, Italy is a situation where the dark foreground area had unsightly noise in the shadows. I used noise reduction software in Photoshop to reduce the effect.

"Manarola Blue", Cinque Terre, Italy

“Manarola Blue”, Cinque Terre, Italy

-Adjust your ISO higher if your exposure needs more than 30 seconds. Remember that at the higher ISOs you will get more noise in your images.

"Nightwatch", northern Slovenia

“Nightwatch”, northern Slovenia

"Alto Adige Blue", Dolomites, Italy

“Alto Adige Blue”, Dolomites, Italy

"San Marco Blue", Venice, Italy

“San Marco Blue”, Venice, Italy

Have fun! P.S. We are starting to fill up for some of our 2014 tours. If you are considering coming along with us on one of our seven tours, now is the time to sign up and reserve your spot. Photography Travel Tours.

This entry was posted in Jim and Magrit Nilsen, Photography, Travel Tips, Uncategorized. Bookmark the permalink.

One Response to Photographing the Blue Hour

  1. Stunning photos and great blog! Thanks Jim & Magrit

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